Book Snap #56

Title: The Woo Woo: How I Survived Ice Hockey, Drug Raids, Demons and My Crazy Chinese Family

Author: Lindsay Wong

Date Read: July 16, 2019

Two snaps

The Woo Woo book cover

A memoir so insane it's almost unbelievable. Reminds me of when Oprah interrogated James Frey about his memoir, questioning whether all the things he experienced were true. The Woo Woo made me woo.

Lindsay Wong recounts her wildly eccentric life in prose that is both castigating and sympathetic of a family dealing with mental illness.

The book opens with Wong being diagnosed with migraine-related vistibulopathy. She is relieved because it's not what her family believed— the "Woo-Woo", or the ghosts her Chinese family believed roamed inside family members that caused a variety of illnesses. Because of these beliefs, there had been many extreme behaviours from camping in WalMart parking lots to sleeping under a restaurant table and living in the mall.

My heart ached for Lindsay and her siblings whose emotional and physical well-being was never a priority as the family coped with untreated mental illness. Wong channeled much of her aggression through hockey— her parents encouraged her to injure other players as much as she could.

It was an unflinching look at mental illness. I marvel at Wong's resilience, and what she was able to make of herself in the midst of anxiety, uncertainty and neglect. Stunning, heart-breaking, candid, and somehow all at once funny, bitter and melancholy. Contender for the Canada Reads 2019!

Book Snap #55

Title: Shout

Author: Laurie Halse Anderson

Date Read: July 11, 2019

Two Snaps

Shout book cover

I started reading this one and couldn't put it down. Anderson, author of Speak which was a National Book Award finalist, writes this poetic memoir in free verse. Shout extends her fiction, detailing her own life as a teen, including her rape and subsequent trauma. The true story of a survivor who refused to be silenced.

Anderson writes:

librarians
are the first responders, the last
in the trenches, toiling away
in the holy cathedral of books,
saving one child
at a time

(from the poem "lovebrarians")

It's the poem "lovebrarians" in which Anderson details with love the adults who helped her learn to read as a child— her teachers and librarians.

Anderson writes with skill, holding nothing back with her language, using powerful metaphors like describing the lockers in high school as, "steel soldiers lined against the wall."

Her voice is unapologetic, and we feel her anger, frustration and pain. She writes about being "indoctrinated by magazine covers," and describes that shame "smells like stubborn vomit in your hair." And she vividly imagines attacking a lawyer who re-victimizes a rape victim during the trial.

Twenty years after writing Speak she uses poetry to rant in this memoir. Young Adult readers in the age of #metoo will resonate with this book as an important read. I hope that in doing so, some will find comfort and freedom to tell their own stories.

Book Snap #54

Title: Why They Can't Write: Killing the Five-Paragraph Essay and Other Necessities

Author: John Warner

Date Read: July 10, 2019

Two Snaps

Why They Can't Write book cover

I teach English Language Arts and had noticed this book getting some discussion on Twitter. I was intrigued. Warner works as a college professor teaching writing to first year students. He argues that much student writing is merely "imitations" of writing. For Warner, writing is both a skill and a process that allows us to think and to respond to the world around us. He believes that writing makes us better humans.

Warner's thesis centers around what he believes are the systemic barriers to creating better student writers: grade fixation that intensifies poor mental health; unrealistic "real-time data" parent portals creating hyper-surveillance; standardized testing that favours memorization over thinking; and educational fads.

"For so long, school has been about performance divorced from learning; so it's difficult to find value in anything other than an A."

(Warner, p.134)

Warner contends that the writing act develops empathy:

"Every piece of writing is an occasion for students to think deeply about themselves and the world around them. The assignment creates an opportunity to practice intellectual engagement."

(Warner, p. 157)

The second half of the book addresses what valuable writing experiences look like and provides some good examples to try, while also acknowledging the systemic barriers still in place.

Warner argues that grades are "antithetical to learning." They are demotivating, unfair, and imprecise. Warner believes that students who feel accepted and empowered will be more engaged and committed to learning. He even quotes the neuroscientist and learning expert Dr. Maryanne Wolf:

"Reading is not natural. Human beings were never born to read. The acquisition of literacy is one of the most important epigenetic achievements of homo sapiens."

(Wolf, via Warner, p. 139)

As a reader and a writer, I know that words are hard—that writing is a process that requires patience and time. Words matter: I need to teach myself and my students to be writers in a way that is, as Warner insists, focused on the process. I'm starting here with Warner's essay Kill the 5 Paragraph Essay.

Book Snap #53

Title: Grading Smarter Not Harder: Assessment Strategies that Motivate Kids and Help Them Learn

Author: Myron Dueck

Date Read: July 7, 2019

Two Snaps

Grading Smarter Not Harder book cover

I was at a conference where Dueck was the keynote speaker. He's funny, energetic, and clearly cares deeply about building fair assessment practices in school. I purchased this book and devoured it.

He begins with the assessment conversation. How does our traditional grading make the gradebook a tool that sorts and ranks our students rather than focusing on learning?

Dueck outlines four lessons he has learned:

  1. Grading smarter also means teachers have smaller workloads
  2. Teachers need to think like coaches
  3. Learning is more important than grades
  4. It's about relationships

Dueck addresses five key issues: grading; homework; unit plans; retesting; and creativity. Regarding grading Dueck questions punitive grading practices like zeros and late penalties. These behaviours compromise the accuracy of our grading— we are grading behaviour, not the student's ability to learn.

"The zero has a devastating effect on students and their grade point averages. To recover from a zero, a student must achieve a minimum of nine perfect papers. Attaining that level of performance would challenge the most talented students and certainly would be impossible for students who struggle in school."

(Doug Reeves via Dueck)

The zero, when factored on a 100 point scale is mathematically inaccurate. It's "an academic death penalty." No student can recover from multiple zeros and still manage to pass.

Regarding homework, Dueck questions the grading of it. Grading homework has unintended consequences— we are grading for completion, not understanding. We cannot monitor homework completion in a valid way. His unit planning suggestions are incredibly helpful, and I am intrigued by the way he supports test retakes. He correctly identifies that in life, most of us become masters of something by repeated effort.

I was struck by his continual reminders about the variables that affect learners: socio-economic status, learning disabilities, stress, violence, nutrition. He cares about his students.

Book Snap #52

Title: The Sentence is Death

Author: Anthony Horowitz

Date Read: July 1, 2019

One and a half snaps

The Sentence is Death book cover

I don't usually read murder mysteries—but I should explore different genres if I'm going to recommend titles to students. And the witty grammarian wordplay drew me in.

Detective Daniel Hawthorne is hired by an elite and rather stiff lawyer to investigate the harassing text messages. A week later, the lawyer is murdered. Daniel partners with crime writer Anthony Horowitz (the narrator), who hopes to write a book based on the murders Hawthorne solves.

Richard Pryce, the victim, was found dead in his home— a bottle of expensive wine smashed him over the head. The clues: Pryce was on the phone when he opened the door to his killer, and asked "it's kind of late, isn't it?" The wine was a gift, but Pryce didn't drink. And most ominously, the killer painted the number 182 in green paint on the wall. Why?

Who would have killed Richard Pryce? There are so many possible culprits. I confess that I tried to solve the mystery but the answer eluded me. A great detective notices much more than me!

It was a fun little read. Can you figure out who killed Richard Pryce?